Scott Fitzgerald, we witness Nick Carraways obsessive fascination of Gatsby. Nick states at the beginning of the novel that he is morally repelled by the vulgarity of all the characters he meets during his stay in New York, with the exception of Gatsby. Although Gatsby sometimes acts immorally like the characters around him, something sets him aside in Nicks eyes. In fact, Nick explains, Only Gatsbywas exempt from my reaction-Gatsby, who represented everything for which I have an unaffected scorn.
Scott Fitzgerald, there is a distinct development of emotions and symbols, and one of the key vehicles for illustrating this change is the final line of each chapter. Hidden within each final sentence lies an inner message that either pulls together a major theme in the chapter leading up to the sentence, or is a harbinger of the coming chapters.
By doing this, Fitzgerald is able to outline major themes in the novel, including facial expressions, honesty, and balance. Most clearly and powerfully, however, the outline of lightness through positive imagery and darkness through negative imagery is presented in the final lines of each chapter.
By grouping the chapters by hopefulness shown in their respective final lines, a trend is apparent. In chapters one through three, the final lines provide a dark, sullen preview for the chapters to come, while chapter four provides a transition into the final lines of chapters five and six, which signify a brief sense of giddiness that begins to darken.
Though this may be purely contextual, as Nick finds himself in a subway station by the end of the chapter, Fitzgerald allows for them to contribute to the omen that began in the first chapter.
Chapters one through three outline the darkness and ambiguity that form the cloudy start to the novel, as this grouping illustrates the absence of clarity in the characters that Nick has, at this point in the novel, yet to fully describe.
For example, Fitzgerald does not present Gatsby to the reader until well into the third chapter, and even then, we do not know much about who he is; we only know that he remembers Nick from the war and that he holds large parties. As the book proceeds, Fitzgerald sheds more light on the dreams, personalities and back-stories of the individuals in the novel.
The last line of chapter four provides a buffer between the dark, ambiguous imagery of the first three chapters and the light imagery to come in chapters five and six.
Although she smiles, she does not truly display any happiness or excitement toward her relationship with Nick. The last line of chapter four is also an example of the continued examples of important facial expressions, constituting an ongoing motif in the novel.
For example, earlier in chapter four, Nick describes how just a glance at Gatsby would make anyone understand that he was telling the truth. Chapter four provides an important gradient between dark and light, as its possession of both leads into the more hopeful mood in chapters five and six.
Chapter five brings about a new mood to the novel, and its final lines include very positive, optimistic vocabulary. Though it continues to rain outside, a connection between Daisy and Gatsby is rekindled and their love briefly reblossoms.
Its last line placed directly in the middle of the book, chapter five provides symmetry of light and dark imagery in the novel. Continuing this crest of light imagery, chapter six is all about the joyful past of Daisy and Gatsby, though it ends with equivocal incommunicability as to what to make of the past.
In these ways, chapters five and six form the crest of the light imagery, and their final lines sum up what to make of this new discovery of light in the novel: In chapter seven, the novel brusquely begins to seep back into darkness and pessimism, and its final line clearly outlines this change.
The decline into pessimism and darkness reaches its bitter end at the end of chapter eight, when both Gatsby and George Wilson are killed.
The buildup of intense hostility coming to a close, the final line is indispensible in defining this point as the climax of the plot.
The novel ends with a famous line of hope despite struggle, and accepting reality in the face of desire, and it ultimately wraps up the previous final lines by stating the importance of retaining a state of equilibrium.
Jeffrey Steinbrink finds this important overall meaning when he says that, And so we must, apparently, for according to Fitzgerald man livessuccessfully only in a state of equilibrium between resistance to the current and surrender to its flow.
He must accommodate the lessons of his past to his visions of the future, giving it to neither, in order to stand poised for happiness or disappointment in the present Steinbrink This idea brings together every final line in the novel; Gatsby fails to understand that without equilibrium between resistance to skeptics and the acceptance of the past and the present, one will not get anywhere in life.
The last line of the book is beautiful because it not only wraps up all of the final, concluding lines of the chapters and provides an optimistic look at the story, but it also provides an important lesson about balance and equilibrium in life.
Even more importantly, it signifies the power of final lines to solidify everything previously stated into one sentence from which the reader may grow.Nick Carraway as Narrator of F.
Scott Fitzgerald’s The Great Gatsby - The Role of Nick Carraway as Narrator of The Great Gatsby In The Great Gatsby F.
Scott Fitzgerald presents a specific portrait of American society during the roaring twenties and tells the story of . In “The Great Gatsby” the feelings of the main characters are often difficult to work out, and this ambiguity continues with the character of Nick.
However, I believe that the feeling of “fascination” could be taken in two different ways – positive and negative.
Download-Theses Mercredi 10 juin Carraway's fascination with Gatsby. Jay Gatsby is a popular millionaire among many of the civilians within the city and is a mystery to almost everyone he meets. Gatsby became such a successor in order to impress the beautiful Daisy, who he was once madly in love with, hoping that one day she would attend one his glorious parties and fall back in love with him.
(protected by ashio-midori.com) Unearthing an Inner Meaning in the Final Lines of The Great Gatsby In The Great Gatsby, by F. Scott Fitzgerald, there is a distinct development of emotions and symbols, and one of the key vehicles for illustrating this change is the final line of each chapter.
Nick's Evolving Perceptions of Gatsby in Fitzgerald's The Great Gatsby Words 3 Pages The line of attack we use in order to identify individuals around us is an intriguing thing.