Plot[ edit ] Opening chapters 1 to 3 [ edit ] InLockwooda wealthy young man from the South of England, who is seeking peace and recuperation, rents Thrushcross Grange in Yorkshire. He visits his landlordHeathcliffwho lives in a remote moorland farmhouse, Wuthering Heights. There Lockwood finds an odd assemblage: Heathcliff, who seems to be a gentleman, but his manners are uncouth; the reserved mistress of the house, who is in her mid-teens; and a young man, who seems to be a member of the family, yet dresses and speaks as if he is a servant.
Catherine is far from the vulnerable, threatened maiden in need of rescuing. And instead of a ruined, crumbling castle, we have Wuthering Heights. Also, the novel provokes greater consideration of morality than the usual action-driven Gothic novel. Still, Wuthering Heights has plenty of spooky Gothic features, like imprisonment, dark stairways, stormy weather, nightmares, extreme landscapes, melancholy figures, moonlight and candles, torture and excessive cruelty, necrophilia, a supernatural presence, madness, maniacal behavior, communication between the living and the dead—you get the point.
In this case, the threat comes from Heathcliff, the outsider, who causes havoc by usurping the family line and taking all of its property. The Gothic genre often reveals larger societal anxieties. Wuthering Heights may help to reveal contemporary fears about a foreign presence in the house, threats to patrimony, or an influx of immigration through places like Liverpool, England in the form of the so-called "gypsy.
Romance That Wuthering Heights is a romance is undeniable.
The love between Heathcliff and Catherine transcends the boundaries between life and death, which is both creepy and aww-inspiring.
While several marriages and sub-romances occur, the one between the two protagonists is far and away the most dramatic and memorable. All the characters are driven by their appetites—desire, passion, lust, and ambition.
The plot line is propelled toward the reunion of the two lovers, so that when Catherine dies halfway through the book, the reader really wants to know how the romantic story will be resolved.
Heathcliff often shows up in top-ten lists of romantic fictional protagonists—often making number one. Despite being unforgivably malicious, Heathcliff is still a major hunk. For details, see "Trivia.Wuthering Heights Emily Brontë Of the major themes in Wuthering Heights, the nature of love — both romantic and brotherly but, oddly enough, not erotic — applies to the principal characters as well as the minor ones.
Every relationship in the text is strained at one point or another.
Brontë's exploration of love is best discussed in. LitCharts assigns a color and icon to each theme in Wuthering Heights, which you can use to track the themes throughout the work.
Gothic Literature and the Supernatural From beginning to end, Wuthering Heights is a novel full of ghosts and spirits. Gothic novels have been scaring us for years.
The midth Century - an era of dark, satanic mills at home and nightmarish social upheaval abroad - saw public taste shift from traditional. Credits.
New World Encyclopedia writers and editors rewrote and completed the Wikipedia article in accordance with New World Encyclopedia ashio-midori.com article abides by terms of the Creative Commons CC-by-sa License (CC-by-sa), which may be used and disseminated with proper attribution.
Credit is due under the terms of this license that can reference both the New World Encyclopedia. Whether or not Wuthering Heights should be classified as a Gothic novel (certainly it is not merley a Gothic novel), it undeniably contains Gothic elements..
In true Gothic fashion, boundaries are trespassed, specifically love crossing the boundary between life and death and Heathcliff's transgressing social class and family ties.
In Emily Brontë's Wuthering Heights, realism and gothic symbolism combine to form a romance novel that's full of social ashio-midori.com the self-destructive journey of Heathcliff as he seeks revenge for losing his soul mate, Catherine, to Edgar Linton.
Themes — such as good versus evil, chaos and order, selfishness, betrayal, and .